6/25/2008

Some personal reflections…


During a tough period I tried with a lot of ”therapies”: qigong, Feldenkrais, meditation, different relaxation-programs, mental training…

During some weekends training Feldenkrais there were physiotherapists (sjukgymnaster) also attending… They and the course-teacher (yes, they call the sessions lessons) spoke very enthusiastically about neuro linguistic programming (NLP), and how they used it in their work. And the Feldenkrais teacher spoke about a Norwegian couple in particular having courses in NLP in Sweden too, for instance on the island Öland (if I remember right), and she thought they were so great. However I got a bit suspicious, because it sounded as keeping barriers on place... I don't believe in that method... Deliberately cutting upcoming things off. If what you as whatever therapist you are "release" things in the client or patient you must be able to deal with it, and have tools dealing with it too. And these things are nothing you should "play" with as we say!!

I have a sister who is educated occupational therapist (arbetsterapeut). During her education they had a course in psychiatry I think. Or they read about how to handle (and/or avoid) psychosis. Because when you start to work with the body and release tensions, when you meditate etc. things can happen… People can start to react very powerfully? Even become psychotic (quite often become psychotic, or more often than we maybe believe)? See Reich about the bodily armour! And this seems to be a reality, so that they have to learn about these things in their education!

In my work or rather during my piano-playing education I have come in contact with the phenomenon the kinaesthetic sense. That is, how it feels doing a movement, finger or body. Being able to imagine how it feels.

In dancing for instance the pupils/students watch their teacher making a movement and at the same time make a sensory imagination of how it feels doing this movement, what’s happening.

Riding horses is the same or can or ought to be the same??

Singing is too; to find ones voice, the breathing etc.

This also makes me think of therapists working with peoples’ breathing… One of the parents to a couple of our pupils (she is mother of five or more children!!), educated from college for social workers, works as breathing-therapist. I would never go to her. I think all these tools can be dangerous used wrongly and by the wrong person, which means a person with unresolved things!! This is true for all sorts of therapies, how attractive they even may sound. See what Miller has written and said about unconscious manipulation.

Yes, many of us probably want there were quick fixes? We are maybe even in desperate need for them! The years are passing, and we live not so fulfilling or rich-containing lives (but what is a “rich life”?). We want a change, and an immediate change?

And maybe there are reasons choosing the presumptive therapist very carefully! Trying to give oneself that time, even if it feels hard and the need for help and change is very strong. Using Miller’s FAQ-list (frequently asked questions) "How to find the Right Therapist?" in our search, or creates our own questions if we are capable.

We also speak a lot (especially during higher education) about feelings and emotions and expressions… But this doesn’t mean we working with artistic things are healthier… I can immediately mention a lot of musicians and other artists with sever problems. Even during history. Which proves that just talking doesn’t really change things? But our work maybe keeps many of us working with it alive. Alive but going crazy? Or as Robert Schumann committing suicide…

Working with all these things above one has to be prepared and really capable of dealing with what’s perhaps coming up!! As in all other therapies! Having solved ones own things to that degree so one doesn’t harm the other one by ones own denial and unsolved/unprocessed things.

One can click on the labels “gurus”, “cults”, “manipulation”, “Helga’s story” etc. in the sidebar to the left…

Beethoven in fury over a dead friend (the third movement from the moonlight sonata).

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